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.:::.Portrait
Le Hung – Wizard of the Theatre




Le Hung directs the classic drama “The Doll’s House” on the Youth Theatre’s stage.


Le Hung (2nd, right) and actresses from the Youth Theatre talk with Swedish director
Peter Brook.

People's Artist and stage director Le Hung is Director of the Tuoi Tre (Youth) Theatre headquartered in Hanoi. By contemporaries and enthusiasts of the performing arts he is known as an "old wolf", a "wizard" and a "fiend" of the Vietnamese contemporary theatre. Besides directing a series of classical dramas that have stirred up much public accolades, he has surprised audiences with a series of comedies entitled "Laughs of Life" which always draw a great number of spectators to his theatre every night.

Stage Director Le Hung has a seasoned appearance with an untidy beard and a loud voice and he certainly speaks his mind. He is known as a type of person who has a strong character, but always friendly with an unceremonious manner. When asked if he met any difficulties in working with a series of "star" actors and actresses, many of whom have been famous nationwide, he laughed, saying: "Nothing is difficult at all. But I have to find enough assignments for my actors and actresses to perform every night so that they can show their talents and at the same time earn enough money to make a living.” That seems to be a simple job, but in fact it requires much effort from Le Hung.  

Born into a family of artists and growing up to be an acknowledged actor of the Youth Theatre after having graduated from the Theatre Arts School (present-day Hanoi Academy of Theatre and Cinema) in 1971, Le Hung accumulated experience for his acting career. However, he spent another seven years in Russia where he took a course for stage directors at the famous Moscow Academy of Theatre Arts (GITIS) and graduated in 1989. Due to this background, there are always two trends of thoughts in him, i.e. a traditional and a modern theatre, which are connected to each other and help in forming his personal style of directing.

The audience sees Le Hung as a strong and "conservative" director. He pays less attention to the words in the script than to the main message that he would like to send to the spectators. He often changes the original script of a play to add some conventional details of the traditional theatre. For example, in "Macbeth", People's Artist Lan Huong impressed the spectators with her marvellous solo dance to interpret Queen Macbeth's feelings before her suicide. In "Han Mac Tu’s Last 100 Minutes", the romantic scene of the leprotic couple’s wedding night is highlighted with the wedding bed being made conventionally as a carpet of yellow chrysanthemums on the stage floor. In "Karma", there are some romantically explicit scenes that are tactfully performed under Le Hung’s direction. All these performances are wonderfully directed by Le Hung and with his "wizard" talent, things that seem to be impossible have become possible.


The Ha Long Carnival 2009 was directed by Le Hung.

Le Hung is like a multi-functional "knife", effectively using his razor shape wit in executing his profession. Each genre he ventures into produces successful results, from Vietnamese classical opera, traditional opera and reformed opera, to the world classic dramas, such as "The Doll’s House" by H. Ibsen, "Love and Scheme" by Schiller and "Macbeth" by Shakespeare. In particular, the "Laughs of Life" - a series of comedies – appeared as a great phenomenon in Vietnamese contemporary theatre and became an exclusive "trademark" of the Youth Theatre.

The classic dramas directed by Le Hung not only impress domestic spectators, but also attract the attention of world renowned theatre artists. With "Macbeth" he was invited to participate in the World Theatre Festival 2003 held in Beijing and the International Theatre Festival 2005 held in Shanghai.

Discussing comedies and tragedies Le Hung has an interesting definition: "On the stage, when a tragedy is pushed to its peak it will become a comedy." From this point of view, the comedies by Le Hung always hide tragic details that make the spectators laugh, then weep. This is visible in his comedies "Horse-man, Man-horse", "Talkative Disease" and in particular the "Laughs of Life". To Le Hung, "it’s difficult for a stage director to make the spectators cry, and it's even more difficult to make them laugh, in its real meaning."

It can be said that Le Hung’s directing style is much influenced by Charles Chaplin’s comic style, i.e. to compile comedies on the foundation of tragedies with social issues of hot concerns. Due to his unique personal style, a series of eight "Laughs of Life" plays by Le Hung have been warmly received by spectators. It’s obvious that when talking about "Laughs of Life", the audience often thinks of director Le Hung, and vice versa.

Le Hung’s life and career have been closely attached to the development of the Youth Theatre. With his management, the Theatre has built up a contingent of talented actors and actresses who are devoted to the performing profession, such as People’s Artists Le Khanh and Lan Huong, Meritorious Artist Chi Trung and others. More significantly, in the current time of the market economy when there are so many and diverse modern forms of entertainment, the Youth Theatre is still lit up with lamps every night, attracting many spectators to its performances.

Due to its acknowledged achievements, the Youth Theatre was entrusted by the State to establish a project on staging 100 classic dramas of the world to serve Vietnamese theatre lovers. It’s obvious that Director Le Hung will greatly contribute to the fulfillment of this task. Stage lovers believe this "wizard of the theatre" can do that, because he is not only an actor who knows how to laugh and cry in each of his dramas, but also a stage director who knows how to make his audience laugh and cry with his works.


People’s Artist and Stage Director Le Hung, Director of the Youth Theatre (May 2009).

People’s Artist Le Hung was born in 1952, in Nghia Thai Commune, Nghia Hung District, Nam Dinh Province. He has been awarded many prizes at the national theatre festivals, including "The Best Director" in 1990 for "What else?" (performed by Hai Phong Drama Troupe); in 1995 for "A Man Who Can Not Die" (performed by Quang Ninh Drama Troupe); in 2000 for "Chi Pheo" (performed by Thai Binh Drama Troupe); and in 2004 for "A Message from Dien Bien Phu" (performed by the Army Drama Troupe), among others.

Story by Thanh Hoa - Photos by Quang Ha – File

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